Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Carmolina releases her new Afrobeats single “African Marmalade”
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• “Diamonds in the Sun” from Tanya Stephens puts focus on gender-based violence
• Former Peter Tosh manager Copeland Forbes to release book “Reggae My Life Is”
• Luciano set to perform in Nairobi, Kenya on June 11 as part of “Unite the Youth” tour
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Aṣa’s experimental new album “‘V” finds her covering Ella Fitzgerald
• Miami’s Best of the Best Concert on May 29 features Beres Hammond and Mr. Vegas
• Music Africa talks to Black Sherif about the road less travelled
• Ratigan Era shares video for his new dancehall single “Up Top”
• Wizkid to be featured on new Chris Brown album “Breezy”
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Headliners for 2022 Truckee Reggae Festival include Sister Carol and Ky-Mani Marley
• Link & Chain to carry on the Mighty Diamonds’ roots-reggae tradition
• Omah Lay talks to DW about his role in the ongoing Afrobeats revolution
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Brooklyn still abuzz after sizzling performance from Tiwa Savage
• Naomi Cowan reflects on how her parents paved her musical path
• Selah Marley and Tanna Leone star in pgLang’s short film for Converse
• Vyrus wants to infect the world with his version of dancehall music
• Wayne Wonder is heading to Reggae Sumfest with two new singles
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• “Havana Meets Kingston Part 2” all-star compilation album set for June 3 release
• How UB40 became the first chart-topping reggae act in the US
• Koffee is sending a bold, blissed-out message that transcends the dancefloor
• Shenseea makes dazzling debut at the Billboard Music Awards
• Toronto Guardian declares that Afrobeats is the new religion
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• “Back Up” is the new reggae-infused single from New Zealand’s Rubi Du
• Kairo McLean becomes Juno Award’s youngest winner of reggae recording of the year
• Nigerian singer-songwriter-producer Ckay is going global with his brand of Afrobeats
• Projexx and Konshens team up for new single “Brace It”
• Weekend music festival in Lagos honors memory of Bob Marley
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Etana to perform at Flamingo Cantina on 6th Street in Austin on evening of May 13
• “Game Over” is the new reggae single from New Zealand’s Black Seeds
• Shaggy thought his song choices would give away his Identity on Masked Singer
• Ten essential Sly Dunbar songs in honor of the reggae legend’s 70th birthday
• Toronto scores the North American debut of “Bob Marley One Love Experience” in July
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Bonnie Raitt covers “Love So Strong” from Toots & the Maytals on her new album
• Recent spike from Record Store Day pushes Peter Tosh over Bob Marley on Billboard charts
• Reggae in the Rockies returns to Alpine, Wyoming from July 2-3
• Skillibeng’s new “Mr Universe” EP set for release on May 12
• UB40 start the next chapter of their long musical journey with new frontman Matt Doyle
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• History made as Tems becomes first Nigerian to debut atop Billboard Hot 100 poll
• Jally Kebba Susso combines Afrobeat and Mandinka for “Freedom” EP
• May 11 is the 41st anniversary of Bob Marley’s untimely death
• “The price has changed” declares Stonebowy after he signs to Def Jam Recordings
• Vybz Kartel’s two sons release new project featuring single “Euphoric Love”
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Angélique Kidjo confronts slavery’s legacy in groundbreaking show “Yemandja”
• Bounty Killer says that trap is not “drowning out” dancehall
• Rohan Marley gives big props to “Kwaku the Traveler” from Black Sherif
• Seun Kuti & Egypt 80 announce European and North American tour
• Stellar performance in New York City further elevates Burna Boy’s reputation
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Kirsty Rock of Easy Star All Stars releases her new album “Slow Burn”
• New York Times writes about the emergence of dancehall parties in Big Apple
• “Shatta Style” brings Netherlands dancehall artist Jula Fatstash to US and Caribbean
• “Still Go a Dance” is the new single from Damian ‘Jr Gong’ Marley
• Vodafone Ghana Music Award song of year goes to Kidi for “Touch It”
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• “My Man” is the new Yemi Alade single and video that features Kranium
• Shaggy is revealed as the hard-to-guess Space Bunny masked singer
• Stonebwoy signs global Def Jam deal with Universal
• Ugovin regrets leaving Nigeria for Bangladesh
• Yaadcore talks to High Times about “Police in Helicopter” video with Jah9
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• EQUAL Africa Music Ambassador for Spotify for May is Zuchu from Tanzania
• Koffee has something very special brewing, writes the Boston Globe
• Netflix to air 12-part docu-series “Afrobeats: The Backstory” in late May
• Uproxx chronicles the past, present and future of Afrobeats star Tekno
• “Wait For U” smash hit brings Tems and Drake together with Future
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Announcement of Shenseea appearance at NYC Pride stirs LGBTQ controversy
• NBA YoungBoy remix of “Whap Whap” demonstrates Skillibeng’s growing influence
• Protoje’s new song and video “Hills” reflects his return to a more simple lifestyle
• Visa petition filed to allow Beenie Man to perform in the US at summer festivals
• Yaadcore answers five questions from the Jamaica Gleaner
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Your daily dose of international Reggae, Dancehall, Afrobeats news!
• Best beauty tips from Selah Marley revealed in her short interview with The Cut
• Dancehall Queen Carlene shaves her head to support her sister’s cancer battle
• Does dancehall deserve its own Grammy category?…
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